DEMO 2.25.2007

This one has been through quite a few iterations. I started it in Prague and continued to work on it in New York with Brian Forbes at The Gallery. It was a contender for By The Numbers but was passed over.

PRAGUE 44
3.14.2007
PRAGUE 44
5.19.2007
PRAGUE 44
11.11.2008
PRAGUE 44
2.26.2009

DEMO 2.17.2007

This idea eventually evolved into Easy As Pi from By The Numbers. I worked on this one quite a bit, which explains the number of files below. It began in Prague in early 2007 and was finished almost three years later at The Gallery in New York City.

PRAGUE 40
2.17.2007 - Original Idea in 4/4
PRAGUE 40
3.14.2007 - Time signature shifts to 5/4
PRAGUE 40
3.21.2007 - Scratch Vocals added
PRAGUE 40
6.14.2009 - Drums, bass, guitas, added
PRAGUE 40
8.28.2009 - Vocals added
PRAGUE 40
9.29.2009 - Harmonies added
PRAGUE 40
2.1.2010 - Final Mix

EASY AS PI

COME OVER HERE

MAKE YOUR ARGUMENT

FOR WHAT YOU BELIEVE

SING IT LOUD AND CLEAR

YOU LEARNED THE MOVES

BUT FAILED TO UNDERSTAND

WHAT YOU THOUGHT WAS FAITH

SO NOW YOU JUST PRETEND

THAT YOU’VE BLOWN AWAY

THAT YOU’VE BLOWN AWAY

THAT YOU’VE BLOWN AWAY

THAT YOU’VE BLOWN AWAY

BUT I CAN TAKE YOU FAR FROM HERE

I WON’T MAKE YOU LOST

BUT I’LL ENGINEER 

OUR ESCAPE

DEMO 2.13.2007

This one went on quite a trip. My first memory of it was on a bus somewhere in Germany. I think it was raining. I’d created the rhythm in my head using my teeth (as I tend to do), then managed to program it into ProTools a couple weeks later and add some melodies. It went through a few other iterations in Prague then was set aside for a couple years until I started working with Brian Forbes during our time in New York. The last file is where we left it in late 2009.

PRAGUE 39
2.17.2007
PRAGUE 39
4.23.2007
PRAGUE 39
10.21.2007
PRAGUE 39
11.11.2007
PRAGUE 39
6.14.2009

DEMO 2.2.2007

This one started later the same day as the last one. I’d had the chord progression in my head for a while and took the opportunity to record it. The first file is the original guitar part. The second is after I added some other things later that year.

PRAGUE 38
Guitars
PRAGUE 38
11.25.2007

DEMO 2.2.2007

I wrote and recorded this in our apartment in Prague, soon after I had finally picked up my guitar again after working digitally over the past few months. The first file is where things were finally left in late 2008, followed by an earlier and slower guitars-only version. I still like this song very much and very happy I came across it again. I’ve already rehearsed it a few times this week! Hopefully I can work it into a show someday. To hear it again and feel how it feels is very special indeed.

PRAGUE 37 - APARTMENT
11.11.2008
PRAGUE 37 - APARTMENT
2.6.2007

APARTMENT

DON’T GIVE UP ON ME

I’M A WRECK, YOU SEE

SOMETHING’S WRONG WITH MY HEAD

APARTMENT

DON’T CLOSE IN ON ME YET

JUST LET ME CATCH MY BREATH

BEFORE WE GET DOWN TO WORK

WITHOUT WORK

APARTMENT

TELL ME WHAT COMES NEXT

CAUSE I’M A BIT PERPLEXED

HOW I’VE MADE IT THIS FAR

APARTMENT 

TELL ME WHY IM HERE

MAKE IT SO AUSTERE

SO I WILL NEVER FORGET

HOW I LIVED

APARTMENT

YOU’RE MY CLOSEST FRIEND

I HOPE YOU’LL UNDERSTAND

WHEN I BID YOU FAREWELL

DEMO 1.30.2007

This begun on the same day as the previous two and was intended to demonstrate something that had been in my head for awhile. I don’t remember working on it much though upon reflection. It isn’t particularly interesting to me now, but perhaps it will be. There’s a song in there somewhere though. Maybe I’ll serve it better someday.

PRAGUE 36
11.24.07

DEMO 1.29.07

Looks like I started this one on the same day as the last one. My objective in listing these from when they were first created is intended to provide a better understanding of how things evolved over time. Should there be another list from when they stopped though? First things first I suppose. Here’s where I left this one in late 2008.

PRAGUE 33
12.6.2008

DEMO 1.29.07

Here’s another that began in January 2007. I remember enjoying walking while listening to this. I could certainly keep working on it. Such is the case with all of these I suppose. They were all abandoned/postponed for the sake of something new, cast off onto a hard drive somewhere. Here’s where I left this one along the way.

PRAGUE 32
11.10.08
PRAGUE 32
10.26.07
PRAGUE 32
10.25.07
PRAGUE 32
4.2.07

DEMO 1.23.07

I managed to get a little further on this one. It began in early 2007 and proceeded to where I seem to have left things almost two years later in late 2008. I don’t know where I was headed with it to be honest. I obviously enjoyed working on ideas like this though. Why else would I spend so much time on them?

PRAGUE 31
12.6.08

DEMO 1.15.07

Here’s another electronic idea that failed to materialize. It seems like I just kept layering things but never took anything away. I guess I thought it all sounded pretty cool back in the day though. Every idea seems like the most important thing in the world when I’m working on it. Then you listen back one day and wonder how you ever thought it was worth the time.

All part of the process, right?

PRAGUE 30

DEMO 1.10.07

I stopped working on this idea after the first few layers. I guess I was focusing on other ideas and forgot about it one or decided it wasn’t worth pursuing at the time. Maybe I should pick it up again someday? I feel bad that I can’t devote enough time to ideas like these. Don’t some people say how every song they write is like a different child? If that’s the case, I’ve been a very bad father.

PRAGUE 29

DEMO 12.12.06 - FOUND SOUND

Here’s a series of noises I recorded around Prague in late 2006. Each noise was isolated and looped to produce the semblance of a rhythm, then layered with other noises and FX on top. It’s all a bit much for current me to be honest. Why did I spend so much time recording and editing all of it? Why do I feel compelled to organize things in such a way? It’s something in my brain.

Number 7 is a little different though - as I was walking home one night I heard a group of people singing in a tavern down the street from our apartment. It was the only time I ever saw that place open for business. I still wonder what words they are singing. I should have learned more Czech! If anyone can tell me, I would be forever grateful.

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7
8
9
10
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12
13
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DEMO 12.8.06

More from December 2006. This was an experiment in vocal layering and reverb, drifting back and forth from major to minor. There’s also a later version from a few years later after I added a bunch of FX noises on top of the original tracks.

PRAGUE 28
12.8.06
PRAGUE 28
2.16.09